After reading the news of a airplane crash in the Himalayas, Tintin has a dream where his injured young friend Tchang asks for help half buried in the snow. The next day he learns from the newspaper that Tchang was on the crashed airplane, and that no survivors have been found. But Tintin believes that Tchang is alive and sets off for Kathmandu to organize a rescue expedition. Tintin in Tibet coincides with a period of serious turbulence in Hergé's life, and its creation constituted a real therapy for him that really helped him to overcome it. According to Hergé himself, at that time (1958), he was going through a real crisis and his dreams and nightmares were almost always white. These dreams were always repeated and the author had to go to a psychiatrist who advised him to abandon this work because he would never finish it. Fortunately, Hergé did not do so. Not only did he finish Tintin in Tibet, but, in the opinion of many, it is one of his masterpieces. The color white also reigns in almost all the work, but this time not as a nightmare but as a purification. .

Translated by Concepción Zendrera

23 x 30 cm

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64 pages

The theft of an Arumbaya fetish from the ethnographic museum takes Tintin to the South American republic of San Teodoro. There he is immersed in the war of this country with neighboring Nuevo Rico, and becomes an assistant to General Alcazar, a controversial character that we will meet again later in other adventures. Tintin goes deep into the jungle to find the Arumbayas and discover the mystery of the stolen fetish. This Tintin adventure was first published in Le Petit Vingtième at the end of 1935 and came out in volume in 1937. It was put into color in 1943. Here again, Hergé includes allusions to current world events. The conflict between San Teodoro and Nuevo Rico over oil is based on the bloody Gran Chaco war, which confronted Paraguay and Bolivia during the 1930s and lasted three years, causing more than 100,000 deaths. Hergé is almost absolutely faithful to reality. He converts "el Gran Chaco" to "el Gran Chapo" and transforms the names of two oil companies, but everything else is scrupulously accurate.

In this album Hergé describes the first of his imaginary countries, which he will later make one of his specialties.

Translated by Concepción Zendrera

23 x 30 cm

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64 pages

When Tintin picks up a wallet forgotten in a bank, he cannot imagine that it will lead him to the country of Syldavia, located in the center of the Balkans. There he learns that there is a conspiracy to steal the scepter of the king, Muskar XII, without which he can no longer reign. And his neighboring country, Borduria, has clear invasion intentions. The plot is clearly influenced by the period. The story was published in Le Petit Vingtième from August 4, 1938 to August 10 of the following year. The signs heralding World War II were numerous and Hitler's Germany was preparing the invasion of Austria, which was annexed and became another province of the Third Reich. We see in King Ottokar's Sceptre how Borduria tries to annex the country of Syldavia, with the help of a certain Musstler, (whose name is a composition of Hitler and Mussolini). The Bordurians can be identified with the Nazis in many aspects: the names, the uniforms, the airairplanes and by their tactics of infiltration in Syldavia. In 1947 the album was redesigned in color.

Translated by Concepción Zendrera

23 x 30 cm

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64 pages

Tintin and the Art-Alpha, unfinished album, is finally part of the 23 other adventures of Tintin. In the months following Hergé's death on March 3, 1983, speculation was rife: many readers wanted the master's collaborators to finish the story. But Hergé was clear: there would be no new Tintins after him. Finally, in 1986, a luxurious album was published, in two booklets, with the main sketches of the cartoonist. A few years after the publication of Tintin and the Picaros, and shortly before the fiftieth anniversary of his hero, Hergé chose as the setting for his next album the world of contemporary art, which he knew particularly well. He throws Tintin into it without knowing very well where this story was going to lead him. Hergé works sporadically, wishing not to disappoint his readers, but illness overtakes him and soon convinces him that this adventure will never be finished and that it will become Tintin's last adventure.

"If others were to take up Tintin, they might do it better, or worse, but one thing is certain: they would do it differently, and then it would no longer be Tintin" (Hergé).

Translated by Concepción Zendrera

23 x 30 cm

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64 pages

Following the trail of a mysterious can of crab, Tintin ends up prisoner on a ship owned by a gang of opium traffickers. There he meets the evil Allan and for the first time Captain Haddock, then a pathetic slave of his addiction to alcohol, a vice that causes innumerable problems for him and for Tintin who tries to help him. The captain's rehabilitation will come after his forced detoxification during his desert crossing. On May 10, German troops enter Belgium, interrupting the publication of Tintin in land of black gold. Disaster looms over the whole country. Hergé, with his daughter and his sister-in-law, left for Paris on May 15, and from there they went to a friend's house in the Aubergne region, to await events. On June 30 they returned to Brussels and there Hergé found that Le Vingtième Siècle had died, and with it Le Petit Vingtième had also disappeared.

Translated by Concepción Zendrera

23 x 30 cm

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64 pages

This album marks a return to adventure. It begins to appear in the weekly Tintin, in September 1966, four years after the end of The Castafiore Emerald. Here we meet again Rastatopoulos, whom we thought drowned at the end of The Red Sea Sharks, and his friend Allan. A new figurine appears: the very rich Lazlo Carreras, the man who never laughs. Carreiras is a millionaire owner of airairplanes, oil companies and the Sani-Cola beverage. This character was inspired by Marcel Dassault. He is a paradoxical character: he is among the good guys, but under the effect of the truth serum he is portrayed as a being without scruples when it comes to having amassed his fortune. Towards the end of the story we discover Mik Ezdaditoff, a character inspired by Jacques Bergier, author of the book Le Matin des magiciens and animator of the magazine Planète. We see here Hergé's fascination with paranormal and extraterrestrial phenomena.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

This is a comic masterpiece. We prefer not to explain the plot of the story here, so that those who read it for the first time can fully enjoy it. From the very beginning, the events are chained together at a fast pace: an explosion is heard, a storm breaks out, objects break, the power goes out and Serafin Brass arrives for the first time in the series. There will be virtually no downtime in the entire story. For the creation of the sets, Hergé wanted to be as precise as possible. The story, which takes place mostly in Switzerland, reflects the Cold War, which was going through very tense moments between the two blocs, represented in the rivalry between Borduria and Syldavia. The Calculus Affair was published in 1956.

Translated by Concepción Zendrera

23 x 30 cm

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64 pages

Tintin and Captain Haddock accompanied by the inseparable Snowy have traveled to Peru in search of Professor Calculus, who has been kidnapped for having dared to wear the bracelet of the Inca mummy Rascar Capac. Tintin discovers the professor on the freighter Pachamac, but is unable to free him. The clues will lead them on a long journey in the company of Zorrino, an Indian boy, through the Andes mountains and the jungle to a secret temple of the Incas.

Translated by Concepción Zendrera

23 x 30 cm

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64 pages

After two years of absence in Peru and Bolivia, the Sanders-Hardmuth ethnographic expedition returns to Europe having discovered several Inca tombs. They brought back the mummy of the Inca Rascar Capac, also called "the one who unleashes fire from the sky", who was wearing valuable solid gold jewelry. After a short time, all the participants of the expedition fall victim to a mysterious evil, and whenever this happens, fragments of small crystal balls are found.

Translated by Concepción Zendrera

23 x 30 cm

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64 pages

La Castafiore announces her arrival in Moulinsart, and the captain tries to flee the trip in a hurry, but stumbles on a broken step that they have not yet come to fix and breaks his ligaments. The rumor of a sentimental relationship between the singer and the "old sea dog" is born and everything is full of paparazzi. And the jewels disappear... In this album there are no travels or great adventures, and that is the grace of Hergé to maintain the intrigue. All the action takes place in Moulinsart, in and around the gardens of the castle. As Hergé himself tells us: "When I started this album, my intention was also to simplify, to train myself to tell, this time, a story in which nothing happens, without resorting to exoticism. Simply to see if I could keep the reader in suspense until the end.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

This Tintin adventure is about the struggle between the big oil companies. It all starts when adulterated gasoline invades the market. Tintin travels to the country of Khemed, where a power struggle pits Emir Ben Kalish Ezab against Bab El Ehr, each financed by a different oil company. Enter the terrible Abdalah, the emir's son. Hergé was inspired by a photograph of the real King Faisal II as a child. This album has gone through numerous versions before knowing its final form. It began to appear on September 25, 1939 in Le Petit Vingtième, following King Ottokar's Sceptre, but the war broke out. On May 9, 1940, the German forces entered Brussels and the publication of Le Petit Vingtième was interrupted, and with it, Tintin in land of black gold. The story stops on the current page 26 of the album, and will not be continued until 6 years later in Tintin magazine.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages