Las aventuras de Tintín 18 - EL ASUNTO TORNASOL (hardcover) - Castellano

La Castafiore announces her arrival in Moulinsart, and the captain tries to flee the trip in a hurry, but stumbles on a broken step that they have not yet come to fix and breaks his ligaments. The rumor of a sentimental relationship between the singer and the "old sea dog" is born and everything is full of paparazzi. And the jewels disappear... In this album there are no travels or great adventures, and that is the grace of Hergé to maintain the intrigue. All the action takes place in Moulinsart, in and around the gardens of the castle. As Hergé himself tells us: "When I started this album, my intention was also to simplify, to train myself to tell, this time, a story in which nothing happens, without resorting to exoticism. Simply to see if I could keep the reader in suspense until the end.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

This album is based on the cartoon film by Raymond Leblanc. The script was written by Greg, and the adaptation of the drawings and dialogues of the film was made by Hergé Studios.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

48 pages

After reading the news of a airplane crash in the Himalayas, Tintin has a dream where his injured young friend Tchang asks for help half buried in the snow. The next day he learns from the newspaper that Tchang was on the crashed airplane, and that no survivors have been found. But Tintin believes that Tchang is alive and sets off for Kathmandu to organize a rescue expedition. Tintin in Tibet coincides with a period of serious turbulence in Hergé's life, and its creation constituted a real therapy for him that really helped him to overcome it. According to Hergé himself, at that time (1958), he was going through a real crisis and his dreams and nightmares were almost always white. These dreams were always repeated and the author had to go to a psychiatrist who advised him to abandon this work because he would never finish it. Fortunately, Hergé did not do so. Not only did he finish Tintin in Tibet, but, in the opinion of many, it is one of his masterpieces. The color white also reigns in almost all the work, but this time not as a nightmare but as a purification. .

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

This comic masterpiece, published in 1944, is the continuation of 'The Secret of the Unicorn' and tells the story of the search for the treasure of the pirate Rackham the Red. Professor Calculus enters the scene, the endearing scientist inventor, wise and absent-minded, whom we will meet again in the following adventures of Tintin, and who will become one of his good friends.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

Slave and arms trafficking are at the core of the plot of this adventure, and as usual, Tintin and the captain are involved by a series of coincidences. This album is a sort of continuation of Tintin in land of black gold, and a large number of characters that appeared in previous episodes reappear in it. The emir Ben Kalishn Ezab, in difficulties in his country, sends his little son, the terrible Abdalah to Moulinsart. Tintin and the captain flee from his mischief, leaving him with the long-suffering Nestor, and head for Khemed to try to help the emir.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

THE JEWELS OF CASTAFIORE - Journal Tintin special edition.

In the early sixties, The Adventures of Tintin was beginning to reap success. Hergé, who was beginning to pay special attention to contemporary art, decided to break the creative rules and do something surprising. And he succeeded. Before conceiving the definitive album edition, known all over the world, the cartoonist had produced a first version published in Tintin magazine, the originals of which had been lying in the archives for 60 years. Carefully and meticulously restored, these documents allow us today to show the public The Jewels of the Castafiore as it appeared in its entirety, between 1961 and 1962, in the weekly magazine for young people from 7 to 77 years old.

Characteristics:

Cardboard binding

80 pages

Size: 24 x 32 cm

1st edition, November 2023

Fans of Tintin's adventures had to wait eight years after Flight 714 to Sydney to read Tintin and the Picaros, which began appearing in 1976. Hergé was now only working for pleasure, and was in no hurry. The idea took time to take shape. The setting was clear to him: South America. For the story he drew some inspiration from the Regis Debré and the Tupamaros affair. But these events are only the backdrop for the adventure. We go back to the imaginary republic of San Teodoros, (see The Broken Ear), where two generals aspiring to dictatorship wage a continuous war to achieve power. We meet again the ineffable General Alcazar (see The Broken Ear, The Seven Crystal Balls), Colonel Sponsz (The Calculus Affair), now under the name of Sponge, who has been sent by Borduria to support General Tapioca, and the explorer Ridgewell (see The Broken Ear). Serafin Brass is also around with his overwhelming personality, presiding over the group of the merry Turulones, and we also find Tapioca's  charming wife: the terrible Peggy. What is striking in this album is that Tintin wears jeans, drives a motorcycle wearing a helmet with the hippie peace sign and does yoga.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

The theft of an Arumbaya fetish from the ethnographic museum takes Tintin to the South American republic of San Teodoro. There he is immersed in the war of this country with neighboring Nuevo Rico, and becomes an assistant to General Alcazar, a controversial character that we will meet again later in other adventures. Tintin goes deep into the jungle to find the Arumbayas and discover the mystery of the stolen fetish. This Tintin adventure was first published in Le Petit Vingtième at the end of 1935 and came out in volume in 1937. It was put into color in 1943. Here again, Hergé includes allusions to current world events. The conflict between San Teodoro and Nuevo Rico over oil is based on the bloody Gran Chaco war, which confronted Paraguay and Bolivia during the 1930s and lasted three years, causing more than 100,000 deaths. Hergé is almost absolutely faithful to reality. He converts "el Gran Chaco" to "el Gran Chapo" and transforms the names of two oil companies, but everything else is scrupulously accurate.

In this album Hergé describes the first of his imaginary countries, which he will later make one of his specialties.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

This time, Tintin sets out on a journey to Scotland on the trail of evildoers. He discovers the secret behind the walls of the castle of Ben More, on the Black Isle, and its mysterious monster. The Black Island appeared in Le Petit Vingtième from April 15, 1937 to June 16, 1938. The album was first published at the end of 1938 in black and white. In 1943 it was changed to color, reducing the number of pages to 62. In 1965, when the English translation was made, the British publisher pointed out to Hergé numerous errors that this volume contained from the English point of view. Hergé sent his collaborator Bob de Moor to England with the list of errors and the assignment to rejuvenate and authenticate the story. Thus Black Island was completely redrawn and modernized. It should be noted that already in the 1937 edition a television set appears, and although the first essays date from 1923, it was still a relatively confidential invention at that time.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

Tintin travels this time to millenary China. In Shanghai he discovers the origin of a powerful poison that makes you go mad. He is confronted with a terrible gang of opium traffickers and with Japanese agents who keep the reader in suspense until the end of the book. At the end of Cigars of the Pharaoh, Hergé had announced in "Le Petit Vingtième" that Tintin was going to continue his journey to the Far East. He then received a letter from Father Gosset, chaplain to Chinese students at the University of Louvain, who advised him to learn more about China and its culture and introduced him to Tchang Tchong-Jen, a young Chinese art student at the Academy of Fine Arts in Louvain. (We can recognize him in the character Tchang, the Chinese friend of Tintin). Through long conversations with Tchang, Hergé was able to get to know the culture of China, moving away from the clichés about the Chinese that Europeans had, absolutely far from reality. The friendship with Tchang would last a lifetime, both in fiction and in reality. This is the first album that Hergé would fully assume, and from here on he always documented in depth the countries where Tintin had to travel.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

This second installment of Tintin's lunar adventure was first published in 1954 (15 years before the first manned Apollo 11 moon landing. As in the first part, Destination Moon, Hergé did exhaustive research for the realization of this album. In fact, the realism of these two books led Paris-Match magazine to commission Hergé to illustrate the explanation of the Apollo 12 mission.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

Following the trail of a mysterious can of crab, Tintin ends up prisoner on a ship owned by a gang of opium traffickers. There he meets the evil Allan and for the first time Captain Haddock, then a pathetic slave of his addiction to alcohol, a vice that causes innumerable problems for him and for Tintin who tries to help him. The captain's rehabilitation will come after his forced detoxification during his desert crossing. On May 10, German troops enter Belgium, interrupting the publication of Tintin in land of black gold. Disaster looms over the whole country. Hergé, with his daughter and his sister-in-law, left for Paris on May 15, and from there they went to a friend's house in the Aubergne region, to await events. On June 30 they returned to Brussels and there Hergé found that Le Vingtième Siècle had died, and with it Le Petit Vingtième had also disappeared.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages