Tintin In The Land Of The Soviets - Special Color Edition - CASTELLANO

 

Created in 1929, this first Tintin adventure surprises by a new and modern legibility when it was colored in 2016, long after Hergé's disappearance. Already endowed with an enthusiastic energy, Tintin in this adventure gets into a powerful convertible car and, to express speed, Hergé lifts his bangs from his forehead... forever, in a toupee that will remain his signature physical feature. The young author was 21 years old and had always shown great skill with the pencil without having studied drawing. He did not know that he had just created a hero who would become universal and mythical in the course of his twenty-four Adventures...

 

1st edition, October 2022

 

Hardcover, 23 x 30 cm

 

144 pages

 

English

The Secret of the Unicorn & The Treasure of Rackham the Red (Double Album)

 

Tintin buys a model of an old galleon at the old market. It turns out to be a replica of the ship that governed the ancestor of Captain Haddock, the knight Hadoque, who fought against the pirate Rackham the Red, who carried on his ship a great treasure that has been hidden for centuries. This book includes the two albums of Tintin's adventures, The Secret of the Unicorn and The Treasure of Rackham the Red, in a single volume.

 

Measurements: 19.5 x 26 cm

 

Cardboard

 

128 pages

 

Languages available:

 

English

Juventud -Tintin- The Crab With The Golden Claws (Special Edition 80th Anniversary Haddock)

 

Special edition of the album in Spanish and Catalan of The Crab with the Golden Claws, the first adventure of Tintin in which Captain Haddock appears. This book is presented with eight unpublished pages and in a larger format than the standard comic book.The Crab with the Golden Claws is the ninth adventure devised by Hergé and begins with Tintin following the trail of a mysterious can of crab. Tintin ends up imprisoned on a ship owned by a gang of opium traffickers. There he meets the evil Allan and for the first time Captain Haddock, then a pathetic slave of his addiction to alcohol, a vice that brings countless problems to him and to Tintin who tries to help him. The captain's rehabilitation will come after his forced detoxification during his desert crossing.

 

This is a special edition published by Editorial Juventud with original translations by Conchita Zendrera (Spanish) and Joaquim Ventalló (Catalan).

 

Characteristics of the book:

 

Language: Spanish

 

Cardboard cover

 

Measurements: 31'7 x 23'7 cm.

 

8 extra pages

 

Year of issue: 2021

 

This album is based on the cartoon film by Raymond Leblanc. The script was written by Greg, and the adaptation of the drawings and dialogues of the film was made by Hergé Studios.

 

Translated by Concepción Zendrera

 

23 x 30 cm

 

Cardboard

 

48 pages

Tintin and the Art-Alpha, unfinished album, is finally part of the 23 other adventures of Tintin. In the months following Hergé's death on March 3, 1983, speculation was rife: many readers wanted the master's collaborators to finish the story. But Hergé was clear: there would be no new Tintins after him. Finally, in 1986, a luxurious album was published, in two booklets, with the main sketches of the cartoonist. A few years after the publication of Tintin and the Picaros, and shortly before the fiftieth anniversary of his hero, Hergé chose as the setting for his next album the world of contemporary art, which he knew particularly well. He throws Tintin into it without knowing very well where this story was going to lead him. Hergé works sporadically, wishing not to disappoint his readers, but illness overtakes him and soon convinces him that this adventure will never be finished and that it will become Tintin's last adventure.

 

"If others were to take up Tintin, they might do it better, or worse, but one thing is certain: they would do it differently, and then it would no longer be Tintin" (Hergé).

 

 

 

Translated by Concepción Zendrera

 

23 x 30 cm

 

Cardboard

 

64 pages

Fans of Tintin's adventures had to wait eight years after Flight 714 to Sydney to read Tintin and the Picaros, which began appearing in 1976. Hergé was now only working for pleasure, and was in no hurry. The idea took time to take shape. The setting was clear to him: South America. For the story he drew some inspiration from the Regis Debré and the Tupamaros affair. But these events are only the backdrop for the adventure. We go back to the imaginary republic of San Teodoros, (see The Broken Ear), where two generals aspiring to dictatorship wage a continuous war to achieve power. We meet again the ineffable General Alcazar (see The Broken Ear, The Seven Crystal Balls), Colonel Sponsz (The Calculus Affair), now under the name of Sponge, who has been sent by Borduria to support General Tapioca, and the explorer Ridgewell (see The Broken Ear). Serafin Brass is also around with his overwhelming personality, presiding over the group of the merry Turulones, and we also find Tapioca's  charming wife: the terrible Peggy. What is striking in this album is that Tintin wears jeans, drives a motorcycle wearing a helmet with the hippie peace sign and does yoga.

 

 

 

Translated by Concepción Zendrera

 

23 x 30 cm

 

Cardboard

 

64 pages

This album marks a return to adventure. It begins to appear in the weekly Tintin, in September 1966, four years after the end of The Castafiore Emerald. Here we meet again Rastatopoulos, whom we thought drowned at the end of The Red Sea Sharks, and his friend Allan. A new figurine appears: the very rich Lazlo Carreras, the man who never laughs. Carreiras is a millionaire owner of airairplanes, oil companies and the Sani-Cola beverage. This character was inspired by Marcel Dassault. He is a paradoxical character: he is among the good guys, but under the effect of the truth serum he is portrayed as a being without scruples when it comes to having amassed his fortune. Towards the end of the story we discover Mik Ezdaditoff, a character inspired by Jacques Bergier, author of the book Le Matin des magiciens and animator of the magazine Planète. We see here Hergé's fascination with paranormal and extraterrestrial phenomena.

 

 

 

Translated by Concepción Zendrera

 

23 x 30 cm

 

Cardboard

 

64 pages

La Castafiore announces her arrival in Moulinsart, and the captain tries to flee the trip in a hurry, but stumbles on a broken step that they have not yet come to fix and breaks his ligaments. The rumor of a sentimental relationship between the singer and the "old sea dog" is born and everything is full of paparazzi. And the jewels disappear... In this album there are no travels or great adventures, and that is the grace of Hergé to maintain the intrigue. All the action takes place in Moulinsart, in and around the gardens of the castle. As Hergé himself tells us: "When I started this album, my intention was also to simplify, to train myself to tell, this time, a story in which nothing happens, without resorting to exoticism. Simply to see if I could keep the reader in suspense until the end.

 

 

 

Translated by Concepción Zendrera

 

23 x 30 cm

 

Cardboard

 

64 pages

After reading the news of a airplane crash in the Himalayas, Tintin has a dream where his injured young friend Tchang asks for help half buried in the snow. The next day he learns from the newspaper that Tchang was on the crashed airplane, and that no survivors have been found. But Tintin believes that Tchang is alive and sets off for Kathmandu to organize a rescue expedition. Tintin in Tibet coincides with a period of serious turbulence in Hergé's life, and its creation constituted a real therapy for him that really helped him to overcome it. According to Hergé himself, at that time (1958), he was going through a real crisis and his dreams and nightmares were almost always white. These dreams were always repeated and the author had to go to a psychiatrist who advised him to abandon this work because he would never finish it. Fortunately, Hergé did not do so. Not only did he finish Tintin in Tibet, but, in the opinion of many, it is one of his masterpieces. The color white also reigns in almost all the work, but this time not as a nightmare but as a purification. .

 

Translated by Concepción Zendrera

 

23 x 30 cm

 

Cardboard

 

64 pages

Slave and arms trafficking are at the core of the plot of this adventure, and as usual, Tintin and the captain are involved by a series of coincidences. This album is a sort of continuation of Tintin in land of black gold, and a large number of characters that appeared in previous episodes reappear in it. The emir Ben Kalishn Ezab, in difficulties in his country, sends his little son, the terrible Abdalah to Moulinsart. Tintin and the captain flee from his mischief, leaving him with the long-suffering Nestor, and head for Khemed to try to help the emir.

 

 

 

Translated by Concepción Zendrera

 

23 x 30 cm

 

Cardboard

 

64 pages

This is a comic masterpiece. We prefer not to explain the plot of the story here, so that those who read it for the first time can fully enjoy it. From the very beginning, the events are chained together at a fast pace: an explosion is heard, a storm breaks out, objects break, the power goes out and Serafin Brass arrives for the first time in the series. There will be virtually no downtime in the entire story. For the creation of the sets, Hergé wanted to be as precise as possible. The story, which takes place mostly in Switzerland, reflects the Cold War, which was going through very tense moments between the two blocs, represented in the rivalry between Borduria and Syldavia. The Calculus Affair was published in 1956.

 

 

 

Translated by Concepción Zendrera

 

23 x 30 cm

 

Cardboard

 

64 pages

This second installment of Tintin's lunar adventure was first published in 1954 (15 years before the first manned Apollo 11 moon landing. As in the first part, Destination Moon, Hergé did exhaustive research for the realization of this album. In fact, the realism of these two books led Paris-Match magazine to commission Hergé to illustrate the explanation of the Apollo 12 mission.

 

 

 

Translated by Concepción Zendrera

 

23 x 30 cm

 

Cardboard

 

64 pages