Las aventuras de Tintín 02 - TINTÍN EN EL CONGO (hardcover) - Castellano

This is a comic masterpiece. We prefer not to explain the plot of the story here, so that those who read it for the first time can fully enjoy it. From the very beginning, the events are chained together at a fast pace: an explosion is heard, a storm breaks out, objects break, the power goes out and Serafin Brass arrives for the first time in the series. There will be virtually no downtime in the entire story. For the creation of the sets, Hergé wanted to be as precise as possible. The story, which takes place mostly in Switzerland, reflects the Cold War, which was going through very tense moments between the two blocs, represented in the rivalry between Borduria and Syldavia. The Calculus Affair was published in 1956.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

This album marks a return to adventure. It begins to appear in the weekly Tintin, in September 1966, four years after the end of The Castafiore Emerald. Here we meet again Rastatopoulos, whom we thought drowned at the end of The Red Sea Sharks, and his friend Allan. A new figurine appears: the very rich Lazlo Carreras, the man who never laughs. Carreiras is a millionaire owner of airairplanes, oil companies and the Sani-Cola beverage. This character was inspired by Marcel Dassault. He is a paradoxical character: he is among the good guys, but under the effect of the truth serum he is portrayed as a being without scruples when it comes to having amassed his fortune. Towards the end of the story we discover Mik Ezdaditoff, a character inspired by Jacques Bergier, author of the book Le Matin des magiciens and animator of the magazine Planète. We see here Hergé's fascination with paranormal and extraterrestrial phenomena.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

La Castafiore announces her arrival in Moulinsart, and the captain tries to flee the trip in a hurry, but stumbles on a broken step that they have not yet come to fix and breaks his ligaments. The rumor of a sentimental relationship between the singer and the "old sea dog" is born and everything is full of paparazzi. And the jewels disappear... In this album there are no travels or great adventures, and that is the grace of Hergé to maintain the intrigue. All the action takes place in Moulinsart, in and around the gardens of the castle. As Hergé himself tells us: "When I started this album, my intention was also to simplify, to train myself to tell, this time, a story in which nothing happens, without resorting to exoticism. Simply to see if I could keep the reader in suspense until the end.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

Tintin travels on a cruise ship bound for the Far East. On board he meets the strange Egyptologist Philemon Cyclone, who is traveling in search of the tomb of the Egyptian pharaoh Kih-Oskh. Tintin accompanies him to the tomb and there he discovers the mysterious cigars, which hide more than just tobacco. He is then kidnapped and abandoned at sea, but is saved and lands in Arabia. After numerous vicissitudes he ends up in India, where he stays with the Maharaja of Rawhajpurtalah. Here appear characters that we will meet again later: the ineffable policemen Thomson and Thompson, the evil Rastapopoulos and the peculiar Oliveira de Salazar. Cigars of the Pharaoh begin to appear in Le petit Vingtiéme on December 8, 1932. It was the time when the news of the curse of Tutankhamun's tomb occupied many pages of the tabloids. This subject interested Hergé so much that years later he raised it again in The Seven Crystal Balls.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

This work began to be published in the weekly magazine Tintin on March 30, 1950, nineteen years before the arrival of man on the moon. It is not science fiction but an anticipation as accurate as possible. Hergé contacted Dr. Bernard Heuvelmans, author of the book L'homme parmis les étoiles (Man Among the Stars), a specialist on the subject, who collaborated with the team. An extraordinary model of the rocket was made and submitted for the approval of Ananolf, author of the book Astronautics. It was entirely dismountable and allowed the young Bob de Moor, who was mainly responsible for the scenery, to know where the characters were in the spaceship at all times. Hergé has the grace to give a humorous tone to all the scenes of scientific explanations that could bore the reader. Thus, when Wolf and Professor Calculus explain more or less complicated elements, Captain Haddock is there to make us smile with his replies.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

This comic masterpiece, published in 1944, is the continuation of 'The Secret of the Unicorn' and tells the story of the search for the treasure of the pirate Rackham the Red. Professor Calculus enters the scene, the endearing scientist inventor, wise and absent-minded, whom we will meet again in the following adventures of Tintin, and who will become one of his good friends.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

This second installment of Tintin's lunar adventure was first published in 1954 (15 years before the first manned Apollo 11 moon landing. As in the first part, Destination Moon, Hergé did exhaustive research for the realization of this album. In fact, the realism of these two books led Paris-Match magazine to commission Hergé to illustrate the explanation of the Apollo 12 mission.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

This time, Tintin sets out on a journey to Scotland on the trail of evildoers. He discovers the secret behind the walls of the castle of Ben More, on the Black Isle, and its mysterious monster. The Black Island appeared in Le Petit Vingtième from April 15, 1937 to June 16, 1938. The album was first published at the end of 1938 in black and white. In 1943 it was changed to color, reducing the number of pages to 62. In 1965, when the English translation was made, the British publisher pointed out to Hergé numerous errors that this volume contained from the English point of view. Hergé sent his collaborator Bob de Moor to England with the list of errors and the assignment to rejuvenate and authenticate the story. Thus Black Island was completely redrawn and modernized. It should be noted that already in the 1937 edition a television set appears, and although the first essays date from 1923, it was still a relatively confidential invention at that time.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

This Tintin adventure is about the struggle between the big oil companies. It all starts when adulterated gasoline invades the market. Tintin travels to the country of Khemed, where a power struggle pits Emir Ben Kalish Ezab against Bab El Ehr, each financed by a different oil company. Enter the terrible Abdalah, the emir's son. Hergé was inspired by a photograph of the real King Faisal II as a child. This album has gone through numerous versions before knowing its final form. It began to appear on September 25, 1939 in Le Petit Vingtième, following King Ottokar's Sceptre, but the war broke out. On May 9, 1940, the German forces entered Brussels and the publication of Le Petit Vingtième was interrupted, and with it, Tintin in land of black gold. The story stops on the current page 26 of the album, and will not be continued until 6 years later in Tintin magazine.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

This album is based on the cartoon film by Raymond Leblanc. The script was written by Greg, and the adaptation of the drawings and dialogues of the film was made by Hergé Studios.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

48 pages

Following the trail of a mysterious can of crab, Tintin ends up prisoner on a ship owned by a gang of opium traffickers. There he meets the evil Allan and for the first time Captain Haddock, then a pathetic slave of his addiction to alcohol, a vice that causes innumerable problems for him and for Tintin who tries to help him. The captain's rehabilitation will come after his forced detoxification during his desert crossing. On May 10, German troops enter Belgium, interrupting the publication of Tintin in land of black gold. Disaster looms over the whole country. Hergé, with his daughter and his sister-in-law, left for Paris on May 15, and from there they went to a friend's house in the Aubergne region, to await events. On June 30 they returned to Brussels and there Hergé found that Le Vingtième Siècle had died, and with it Le Petit Vingtième had also disappeared.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

After two years of absence in Peru and Bolivia, the Sanders-Hardmuth ethnographic expedition returns to Europe having discovered several Inca tombs. They brought back the mummy of the Inca Rascar Capac, also called "the one who unleashes fire from the sky", who was wearing valuable solid gold jewelry. After a short time, all the participants of the expedition fall victim to a mysterious evil, and whenever this happens, fragments of small crystal balls are found.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages

Tintin travels to North America, where he confronts the fearsome Chicago gangster syndicate, including the notorious Al Capone. Hergé's initial idea was to build his story around the Redskin Indian village that had always fascinated him, but then he also wanted to show as much of America as possible: the deserts and prairies, modern industries and big cities, alcohol prohibition, gangsters, cowboys and the plundering of the Redskin Indians, denouncing how they were expelled from their lands when oil was found there. Tintin in America began to be published on September 3, 1931 in Le Petit Vingtième, at the rate of two plates per week, where it would be published for a year. As in the case of Tintin in the Congo, the color version of the album was produced in 1945, benefiting from the progress that the practice and experience of these years had given to Hergé, who had already reached a great mastery and mastery in the language of visual storytelling, where the images narrate by themselves, without waiting for the text to do so.

Translated by Concepción Zendrera

23 x 30 cm

Cardboard

64 pages